Jamie Baum: Redefining Jazz with Poetry and Global Sounds
When Jamie Baum steps onto the stage, flute in hand, she transforms into a storyteller, weaving melodies and rhythms that feel like a conversation with the world. Her latest album, What Times Are These, is more than music; it’s an exploration of poetry, culture, and the human condition.
As a guest on the Backstage Bay Area podcast, Baum shared her creative process, career highlights, and the upcoming performances that have jazz fans buzzing. (Ticket links below.)
Baum is no stranger to the Bay Area, where her music has resonated with audiences for years. This January, she’ll bring her world-class Septet+ and quartet to venues like Kuumbwa Jazz Center, SFJAZZ, and Half Moon Bay’s Bach Dancing & Dynamite Society. But in this candid interview, it’s the stories behind the music that steal the show.
“COVID changed everything,” Baum shared, recalling the pandemic’s sudden halt to live performances. Sequestered in her New York City apartment, she turned to Bill Moyers’ A Poet a Day series for inspiration. “I was never a huge poetry person,” she admitted. “But something about seeing the poets read their work spoke to me in a new way.” The result? It is a groundbreaking album pairing the words of poets like Adrienne Rich and Lucille Clifton with Baum’s signature harmonic depth and orchestral textures.
What Times Are These tackles themes of isolation, resilience, and renewal. “I wanted to try something different—something that felt like a reflection of everything going on,” Baum said. The album’s standout track, “Sorrow Song,” transforms Clifton’s poem into a stirring collaboration featuring rapper Kokayi. “It was so fun working with Kokayi,” Baum said. “His rhythm and approach brought the piece to life in ways I hadn’t imagined.”
Baum’s ability to reinvent her sound has been a hallmark of her career, and she attributes much of it to her time spent traveling. From her earliest tours in South Asia as a U.S. Jazz Ambassador to her recent visits to Nepal and India, Baum has always sought to blend global influences into her music. “South Asian music is like a candy store for jazz musicians,” she explained, her voice lighting up with excitement. “The way they develop rhythm and melody is so highly evolved—it’s inspiring.”
Her upcoming Bay Area performances promise to showcase her musical versatility. Fans can expect a mix of intimate quartet arrangements and the larger-than-life energy of the Septet+. “It’s all about balance,” Baum said. “With the quartet, I focus on improvisation and connecting with the musicians. The Septet+ is where I can experiment with more intricate compositions and layers of sound.”
These live shows will also introduce audiences to an ensemble of top-tier musicians, including Leo Genovese, Matt Penman, and Rob Garcia. “I’m so lucky to be working with these guys,” Baum said. “They bring so much personality and creativity to the stage. It’s going to be incredible.”
Baum’s journey to becoming one of jazz’s most distinctive voices wasn’t a straight path. “I actually started on piano when I was three,” she revealed. “But it wasn’t until high school, when I picked up the flute almost on a whim, that I started to see music differently.” Early inspirations like Miles Davis, John Coltrane, Hubert Laws, and Eric Dolphy helped solidify her passion for jazz. But it was her time at the New England Conservatory that truly shaped her sound. “Studying with people like Jaki Byard taught me to approach music holistically,” she said.
On the podcast, Baum reflected on the evolution of her flagship ensemble, the Jamie Baum Septet+. “When I started the group, I wanted to give the flute a more prominent role,” she said. “I changed the instrumentation to include French horn and bass clarinet, which added these incredible textures to the music.” Over the years, the Septet+ has become a creative muse for Baum, pushing her to experiment with everything from South Asian rhythms to modern poetry.
What Times Are These The Jamie Baum Septet+
Fans will hear that innovation firsthand during her January shows, including tracks from What Times Are These like “Dreams.” Initially written for her quartet, the piece evolved into a lush arrangement for the Septet+. “It’s one of those songs that works beautifully in both settings,” Baum said. “There’s so much you can do with it.”
As the conversation turned personal, Baum revealed how her upbringing influenced her musical journey. “My mom was a Juilliard-trained pianist who gave up her career to raise a family,” she shared. “She didn’t push me to pursue music but always supported my love for it.” That encouragement, combined with her family’s love of travel and diverse music, laid the foundation for Baum’s eclectic sound.
The episode wrapped with Baum sharing her excitement for the future. Along with her Bay Area tour, she’s planning a European tour and a new recording project with her quartet. “There’s so much to look forward to,” she said, her enthusiasm palpable. For listeners eager to experience Baum’s artistry, these upcoming performances are not to be missed.
Catch Jamie Baum live this January:
Santa Cruz: Kuumbwa Jazz Center, January 23, 7 PM
San Francisco: SFJAZZ, January 24, two sets at 7 PM & 8:30 PM
Half Moon Bay: Bach Dancing & Dynamite Society, January 26
Tickets are available at Kuumbwa Jazz Center, SFJAZZ, and Bach Dancing & Dynamite Society.
For more stories like Jamie Baum’s, subscribe to the Backstage Bay Area podcast on Apple Podcasts or YouTube. Don’t forget to follow Jamie on social media (@JamieBaumFlute) and visit her website, jamiebaum.com, for music and tour updates.
Photos: Erika Kapln
